To experience Seers’ and Sargents’ work is to experience snapshots, rumours, doubtful information – fascinating fragments that refuse to add up to a neat, narratively satisfying whole. To experience one’s memory of their work is something else entirely. Recall a work on a Monday morning, and it’s a story of childhood and exile. Recall it on a Tuesday night, and it’s a meditation on Platonic optics and 19th-century methods of indexing and surveillance. Memory does its work, generating different readings, different histories, and different shapes for the viewer’s future self to adopt. — Tom Morton (Frieze).
EDITIONS/WORKS/
PUBLICATIONS FOR SALE. PAGE 2/5.
Isle of Sheppey Bee, 2021
A4 Digital print on Hahnemühle paper,
Artist proof of 3, 1/3
£150.00 + P&P
Human Camera, Paraguay, 2003
A4 Digital print on Hahnemühle paper,
Edition of 10, 1/10
£150.00 + P&P
Rabbit in the moon (Japan), 2023
A4 Digital print on Hahnemühle paper,
Artist proof of 3, 1/3
£150.00 + P&P
Richard Dadd Hospitalfield, 2019
A4 Digital print on Hahnemühle paper,
Edition of 10, 1/10
£100.00 + P&P
Grandmother Bee, 2010.
A4 Digital print on Hahnemühle paper,
Edition of 3, 1/3
£150.00 + P&P
Crying Bee, 2025.
A4 Digital print on Hahnemühle paper,
Edition of 3, 1/3
£200.00 + P&P
Diabolical Ironclad Beetle, 2020.
A4 Digital print on Hahnemühle paper, Artist proof
£150.00 + P&P
Grandfather Bee, 2010.
A4 Digital print on Hahnemühle paper,
Artist proof 3/3
£150.00 + P&P